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Why is "faith" the biggest attraction for cultural tourism?

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2025-03-31


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Author | Wang Xiong

Editor-in-chief | Yang Ming

Editor | Jing Xiangyuan

Source | Wenlv Ayoo
Recently, I've been pondering a question: Why do some cultural and tourism projects leave a lasting impression, even prompting repeat visits, while others only elicit sighs of "never again"? The answer may be simpler than you think—belief. Yes, belief. Here, "belief" doesn't refer to religion, but rather a spiritual resonance, a cultural identity, or even an emotional anchor. It's the soul of a cultural and tourism project, the core attraction that motivates users to pay for it and spread the word.



Belief is the "soul" of cultural tourism


Have you noticed that successful cultural and tourism projects share a commonality: They are not merely scenic spots, but places with stories, emotions, and beliefs.


Take Disney, for example. What is its belief? It's "childhood dreams," "where everyone can find happiness." Or take the Forbidden City. What is its belief? It's "the inheritance of Chinese culture," "the weight and glory of history."


These projects succeed because they offer not only visual enjoyment but also spiritual fulfillment. Users come here not just to see the scenery, but to find resonance, experience culture, and even realize their dreams.


Conversely, some unsuccessful cultural and tourism projects often focus only on the superficial "form" while neglecting the inner "spirit." The result? Users come, take photos, post on their social media, and then… nothing more.

Cultural and tourism projects without belief are like soulless shells; no matter how beautiful, they remain empty.



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Belief is the users' "emotional anchor"


Why are users willing to pay for cultural and tourism projects? Because they find emotional anchors here.


Take Wuzhen as an example. What is its belief? It's the "tranquility and poetry of the Jiangnan water town." Many people go to Wuzhen not just to see the bridges and flowing water, but to escape the city's hustle and bustle and find inner peace.


Or take Tibet. What is its belief? It's "spiritual purification and elevation." Many people go to Tibet not just to see the snow-capped mountains and sacred lakes, but to seek inner peace and achieve spiritual transcendence.


These projects attract users because they provide emotional value. Users come here not just to consume, but to satisfy their inner needs.


Cultural and tourism projects without belief are like emotionless machines; no matter how refined, they are just a pile of parts.



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Belief is the "catalyst" for dissemination

Why do some cultural and tourism projects become "internet sensations," while others remain unknown? Because belief is a catalyst for dissemination.


Take Cha Yan Yue Se as an example. What is its belief? It's "cultural confidence in national-style tea drinks." Many people buy Cha Yan Yue Se not just to drink milk tea, but to express their identification with national-style culture.


Or take Li Ziqi. What is her belief? It's "the poetry and beauty of pastoral life." Many people watch Li Ziqi's videos not just to appreciate the scenery, but to find inner peace and longing.


These projects become "internet sensations" because they provide dissemination value. Users come here not just to consume, but to express their attitudes and share their beliefs.


Cultural and tourism projects without belief are like conversations without topics; no matter how lively, they are just empty talk.



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How to build the "belief" of cultural and tourism projects?


So, how do you build the "belief" of cultural and tourism projects? The key lies in three points:


1. Find the core culture: Every place has a unique culture; the key is how to excavate and refine it. For example, Xi'an's core culture is "ancient capital history," and Chengdu's core culture is "leisure life."


2. Tell a good story: Culture is abstract; stories are concrete. By telling stories, users can better understand and experience culture. For example, the Forbidden City uses cultural and creative products to make history vivid and interesting.


3. Create experiences: Belief needs to be conveyed through experience. By designing immersive experiences, users can more deeply experience the culture. For example, Disney allows users to experience the fairy tale world firsthand through its theme parks.



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Belief is the greatest attraction of cultural tourism. It is not only the soul of a project, but also the emotional anchor of users and a catalyst for dissemination. Cultural and tourism projects without belief are like soulless shells; no matter how beautiful, they remain empty. Cultural and tourism projects with belief are like living beings with souls; even if imperfect, they can leave a lasting impression.



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