On March 20, the 2026 China Tourism, Leisure & Entertainment Industry Annual Conference, hosted by the Digital Arts Special Committee of the China Amusement Park Association (CAAPA) and co-organized by the Epson Institute of Light and Shadow, — The Digital Art Innovation and Development Symposium, together with the China Tourism Association’s Digital Art Special Committee’s recruitment event, was successfully held in Beijing.

Wang Bing, General Manager of Hangtian Sichuang (Beijing) Technology Co., Ltd.

Xu Zenghua, General Manager of Beijing Keyi Space Culture Co., Ltd.

Founder of Digital Art China,

Wang Boqiao, Chairman of Zhongshu Yiyi Interactive Technology (Beijing) Co., Ltd.

Song Zhe, Co-founder of Shanghai Hardbox Interactive Art & Technology Co., Ltd.

Beijing Mido Design and Construction Firm,

Sun Ning, Founder of Beijing Mido Lab Light & Shadow Laboratory

Associate Researcher Wang Lin, Guangzhou Academy of Fine Arts

Wu Hao, Founder of Jueze Jinshen (Beijing) Culture Media Co., Ltd.

Beijing Shoudu Huarong Cinema Co., Ltd. – Urban Subcenter Branch,

Gao Ying, Project Manager of the Dongsheng Project

Director of the Digital Arts Special Committee of the China Tourism Association,

Bai Mingzhou, Digital Art Expert at the Epson Institute of Imaging and Light

Wang Bing, General Manager of Aerospace Sichuang (Beijing) Technology Co., Ltd.; Xu Zenghua, General Manager of Beijing Keyi Space Culture Co., Ltd.; Wang Boqiao, Founder of Digital Art China and Chairman of Zhongshu Yi Interactive Technology (Beijing) Co., Ltd.; Song Zhe, Co-founder of Shanghai Yinghe Interactive Art Technology Co., Ltd.; Sun Ning, Founder of Beijing Mido Design & Construction Firm and Beijing Mido Lab Light & Shadow Laboratory; Wang Lin, Associate Researcher at the Guangzhou Academy of Fine Arts; Wu Hao, Founder of Juece Immersive (Beijing) Cultural Media Co., Ltd.; Gao Ying, Head of the Urban Subcenter Branch and the Dongsheng Project at Beijing Shoudu Huarong Cinema Co., Ltd.; and Bai Mingzhuo, Director of the Digital Art Special Committee of the China Tourism Association and a digital art expert at the Epson Institute of Light & Shadow, each delivered presentations on the following topics: “Empowering the Upgrading of Culture and Tourism—Innovative Practices in Integrating the Yunnan National Defense Science and Technology Exploration Center with the Cultural and Tourism Industry”; “A Replicable Path for Digital Transformation in Culture and Tourism: Lessons and Insights from ‘Tanmi·Yungang’”; “Art × Technology × Commerce: Digital Art in China”; “Visual Storytelling and the Creation of Cultural Scenarios through Digital Art”; “Digital Technologies Unleashing New Forms of Cultural Engagement”; “Digital China: What Role for Art?—Taking the Guangzhou Academy of Fine Arts as an Example of Empowering the Culture and Tourism Sector”; “The New Favorite of Culture, Commerce, and Tourism: Small Theaters, Big Opportunities”; “Survival and Development in the Cultural Industries—Cultivating New Consumption Models in the Film Sector”; and “Digital Art Empowers New Consumption, Igniting a New Engine for Cultural and Tourism Experiences.”